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Author: Kate Atkinson
£9.95 Original price was: £9.95.£7.95Current price is: £7.95.
One Good Turn unfolds during the Edinburgh Festival, where a violent road rage attack draws former detective Jackson Brodie into a tangled investigation linking murder, deceit and a cast of interconnected strangers. For readers of literary crime fiction with intricate plots, memorable characters and sharp wit.
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Kate Atkinson’s One Good Turn begins with a brutal act of road rage during the Edinburgh Festival and expands into a wonderfully tangled mystery involving fraud, murder and people whose…
Kate Atkinson’s One Good Turn begins with a brutal act of road rage during the Edinburgh Festival and expands into a wonderfully tangled mystery involving fraud, murder and people whose lives collide through coincidence. Jackson Brodie is no longer a private detective, but after discovering a body he cannot resist becoming involved.
I loved how Atkinson lets the story move between several sharply drawn characters, revealing connections gradually while keeping the plot lively and unpredictable. Jackson remains an appealingly reluctant investigator, but Gloria, the wife of a corrupt property developer, was just as memorable for me.
The humour is dry, the observations often vicious, and Edinburgh feels crowded, theatrical and slightly unhinged beneath the festival celebrations. Clever, compassionate and enormously entertaining, One Good Turn is literary crime that offers far more than a puzzle, although it works brilliantly as one of those too.
As Independent Scottish booksellers, we write all of our descriptions personally, we hope you enjoy this one.
In Edinburgh, during the restless heat of festival season, a queue for a lunchtime show becomes the scene of a road rage attack so violent it almost turns homicidal. The people who witness it are strangers at first, caught in the same sudden rupture, but the incident begins to alter the course of each life it touches.
Jackson Brodie, ex army, ex police, ex private detective, is there as an innocent bystander. That distance does not last. Before long, he is drawn into the widening disorder, and finds himself treated not as witness, but as suspect.
As the body count rises, the story moves through a teeming cast, each life containing the seed of another, like a set of Russian dolls. They are looking for love, money, redemption, or escape, but what waits beneath the chaos is harder to avoid: the truth of who they are.
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