Old Bastards
Stevie Duffy
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Author: Jeff Torrington
£10.95 Original price was: £10.95.£8.95Current price is: £8.95.
Swing Hammer Swing! follows Tam Clay through the final days of Glasgow’s Gorbals before demolition, drifting among friends, debt collectors, lovers and local eccentrics in a city on the brink of change. Wildly comic and deeply rooted in working-class life, it captures a disappearing world. For readers of ambitious literary fiction and classic Glasgow writing.
dispatched by Royal Mail Tracked 48
Jeff Torrington’s Swing Hammer Swing! is less a conventional story than a week spent inside the wildly inventive mind of Thomas Clay, an unemployed would-be writer wandering through the Gorbals…
Jeff Torrington’s Swing Hammer Swing! is less a conventional story than a week spent inside the wildly inventive mind of Thomas Clay, an unemployed would-be writer wandering through the Gorbals as his pregnant wife waits in hospital. Around him, the old neighbourhood is being demolished, its residents scattered and its history reduced to rubble.
I loved the sheer energy of Torrington’s language. Thomas turns everything he encounters, from condemned tenements and failing cinemas to drink, religion and family arguments, into jokes, wordplay and strange flights of imagination. He can be selfish and infuriating, but his voice makes even the bleakest moments feel alive.
Funny, sprawling and full of sadness beneath its swagger, this is Glasgow fiction at its most uncompromising. The city is disappearing before Thomas’s eyes, and his constant storytelling feels like an attempt to preserve it before the demolition hammers finish their work.
As Independent Scottish booksellers, we write all of our descriptions personally, we hope you enjoy this one.
In the Gorbals, Tam Clay lives through the last days before the demolishers move in. Over the course of a single week, he chronicles a life lived amid collapse, where buildings are coming down and the old world is already half gone.
Tam moves through intersecting friends, old timers and eccentrics, negotiating his pregnant wife, frisky bedfellows, and debt collectors. The days are busy with dodging, desire, and hard talk, and the streets around him feel derelict, unsettled, full of people making do in the gaps. His week becomes an odyssey of self discovery, not clean or improving, but restless and exposed.
Set in a pulverised 60s Glasgow, this is described as wildly funny and outlandish, crammed to the crevices with ambition, and shaped by a long, obsessive act of making.
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