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The Second Coming by John Niven reimagines Jesus returned to modern Earth as a struggling New York musician trying to spread kindness through a celebrity singing contest while battling hypocrisy, war and media culture. A sharp, satirical novel that blends humour with thoughtful commentary on faith and fame, perfect for readers who enjoy irreverent contemporary fiction.
In stock
The Second Coming
Author: John Niven
£10.95
The Second Coming by John Niven reimagines Jesus returned to modern Earth as a struggling New York musician trying to spread kindness through a celebrity singing contest while battling hypocrisy, war and media culture. A sharp, satirical novel that blends humour with thoughtful commentary on faith and fame, perfect for readers who enjoy irreverent contemporary fiction.
dispatched by Royal Mail Tracked 48
Booksellers Notes
Angry, provocative, and darkly funny, The Second Coming thrilled us with its refusal to soften its critique, asking what compassion looks like in a world ruled by fear and power.
Book Review Author Insight
Our summary description
As Independent Scottish booksellers, we write all of our descriptions personally, we hope you enjoy this one.
Around the time of the Renaissance, God looks down at Earth and finds little to trouble him. He takes a short holiday. A week in Heaven becomes centuries below. When he returns, the world has unravelled into war, famine and cruelty, and faith has hardened into something unrecognisable.
There is only one response. The son is sent back.
JC is reborn in contemporary New York, a struggling musician with a simple message he cannot persuade anyone to hear. Be nice. With no pulpit left to him, he turns to American Pop Star, hoping a song might travel further than a sermon. Fame, however, comes with its own machinery. The show is controlled by a powerful record executive who understands belief, spectacle and desire far better than JC expects.
This is speculative literary fiction that blends satire with unease. It asks what kindness means in a world shaped by power and performance, and whether a moral idea can survive being remade as entertainment.
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