Old Bastards
Stevie Duffy
INDIE SCOTTISH BOOKSELLER
In stock
Author: Denise Mina
£10.95 Original price was: £10.95.£5.00Current price is: £5.00.
Confidence follows journalists Anna and Fin as they hunt for missing filmmaker Lisa Lee and a priceless Roman silver casket that surfaces at a Paris auction. Their search leads through Europe into art smuggling, con artists and zealots. For readers who enjoy brisk, plot-driven crime thrillers with investigative partners and international stakes.
dispatched by Royal Mail Tracked 48
Confidence begins with true-crime podcasters Anna McDonald and Fin Cohen escaping a disastrous family holiday to investigate the disappearance of North Berwick filmmaker Lisa Lee. Her final video shows her…
Confidence begins with true-crime podcasters Anna McDonald and Fin Cohen escaping a disastrous family holiday to investigate the disappearance of North Berwick filmmaker Lisa Lee. Her final video shows her finding a strange silver casket inside an abandoned French chateau, yet days later the same object appears at a Paris auction.
I was pulled in by Anna’s voice: suspicious, funny and sharp enough to spot the lie in almost everyone she meets. Her friendship with Fin gives the chase its warmth, particularly their shared cigarettes, bickering and instinctive way of protecting one another. The journey soon gathers art smugglers, religious billionaires and a deeply unreliable dealer called Bram van Wyk.
Denise Mina lets the story become gloriously unruly while keeping its questions about truth, ownership and belief in sight. Fast, strange and genuinely funny, this is crime fiction that enjoys every con, detour and terrible decision.
As Independent Scottish booksellers, we write all of our descriptions personally, we hope you enjoy this one.
In a Scottish seaside town, an amateur film-maker named Lisa Lee disappears, and the quiet absence becomes a loud spectacle. Journalists Anna and Fin are pulled into the centre of an online hunt, where every detail is picked over and turned into certainty.
Yet the story refuses to settle. Lisa may not be the helpless figure the crowd has chosen. In the last film she made, she breaks into an abandoned château in France and finds a Roman silver casket, sealed up like a secret. The next day, it appears in a Paris auction catalogue with a reserve price of fifty million euros, and a description that threatens to unsettle a major world religion.
As attention sharpens into obsession, Anna and Fin are left to follow a trail of images, guesses, and sudden facts, never knowing who is shaping the narrative, or why Lisa chose to vanish.
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