Old Bastards
Stevie Duffy
INDIE SCOTTISH BOOKSELLER
Out of stock
Author: Alan Warner
£9.95 Original price was: £9.95.£5.00Current price is: £5.00.
Morvern Callar follows a young woman in a remote Scottish town who, after discovering her boyfriend’s body, conceals his death and adopts his unpublished manuscript as her own. As she drifts through grief, money and escape, her life quietly unravels. For readers of dark, character-driven literary fiction exploring detachment, identity and moral ambiguity.
dispatched by Royal Mail Tracked 48
Alan Warner’s Morvern Callar begins with a young supermarket worker discovering her boyfriend’s body on their kitchen floor. Rather than calling for help, Morvern takes the money he left behind,…
Alan Warner’s Morvern Callar begins with a young supermarket worker discovering her boyfriend’s body on their kitchen floor. Rather than calling for help, Morvern takes the money he left behind, puts her name on his unpublished novel and quietly steps into the future he had imagined for himself.
What fascinated me was how little she explains. Morvern rarely tells us what she feels, leaving every decision suspended between grief, selfishness, freedom and survival. Her detached voice makes the darkest scenes strangely hypnotic, while music, travel and nights spent dancing give the novel a fierce physical energy.
Bleak, sensual and deeply unsettling, this is not a book that asks us to approve of its heroine. It asks whether a young woman with very little can simply take the life suddenly placed within reach. Morvern is difficult to understand, but almost impossible to forget.
As Independent Scottish booksellers, we write all of our descriptions personally, we hope you enjoy this one.
Off season in a remote Highland sea port, twenty one year old Morvern Callar works for low pay in the local supermarket, living a life that feels small and edged by weather. One morning she wakes to find her boyfriend dead on their kitchen floor, his suicide turning the flat into a place she cannot quite recognise.
Morvern’s reaction is laconic, unsettling, and difficult to read. Grief does not arrive in the expected shapes, and what she does with the fact of his death is stranger still. The choices she makes in the aftermath feel both intriguing and immoral, as if she is testing what can be carried, what can be hidden, and what it means to keep going when the person beside you has stopped.
The story holds its tension in what Morvern refuses to explain, and in the quiet, appalling steps that follow.
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